{"id":493,"date":"2015-02-25T16:01:49","date_gmt":"2015-02-25T15:01:49","guid":{"rendered":"https:\/\/ordfraenbibliofil.wordpress.com\/?p=493"},"modified":"2020-11-07T23:07:32","modified_gmt":"2020-11-07T22:07:32","slug":"sarahs-key-af-tatiana-de-rosnay","status":"publish","type":"post","link":"https:\/\/ordfraenbibliofil.dk\/?p=493","title":{"rendered":"Sarah&#8217;s Key af Tatiana de Rosnay"},"content":{"rendered":"<p><em>Sarah&#8217;s Key af Tatiana de Rosnay, 2007. St. Martin&#8217;s Griffin. Antal stjerner: 5\/5<\/em><\/p>\n<p>Hvad skete der i Paris i juli 1942 og hvordan p\u00e5virker det den amerikanske journalist Julia Jarmond og hendes familie i 2002?<\/p>\n<p>De Rosnay har valgt i denne sk\u00f8nlitter\u00e6re at kombinere fortiden med fremtiden og det g\u00f8r hun ganske godt. Sarah, som lever tilbage i 1942 i Paris, er kun 10 \u00e5r gammel, da hun sammen med sin familie bliver hentet af det franske politi, der i samarbejde med nazisterne har del i j\u00f8deudryddelsen i Paris. Inden de forlader deres lejlighed, s\u00f8rger hun for, at hendes lillebror bliver gemt v\u00e6k i et skab og hun lover at hente ham. Med sig tager hun n\u00f8glen til skabet. Uvidende om hvad der venter forude.<\/p>\n<p><em>\u201dShe closed the door on the little white face, turned the key in the lock. Then she slipped the key into her pocket. The lock was hidden by a pivoting device shaped like a light switch. It was impossible to see the outline of the cupboard in the paneling of the wall. Yes, he&#8217;d be safe there. She was sure of it.<\/em><\/p>\n<p><em>The girl murmured his name and laid her palm flat on the wooden panel.<\/em><\/p>\n<p><em>\u201dI&#8217;ll come back for you later. I promise.\u201d&#8221;<\/em><\/p>\n<p>Julia er egentlig amerikaner, men har i mange \u00e5r boet i Paris, hvor hendes svigerfamilie er fra. Hun befinder sig i Paris i m\u00e5nederne op til mindeh\u00f8jtideligheden for opsamlingen ved <span style=\"color: #000000;\"><span lang=\"da-DK\">Vel d\u00b4hiv, <\/span><\/span><span style=\"color: #000000;\"><span lang=\"da-DK\">som hendes<\/span><\/span><span style=\"color: #000000;\"><span lang=\"da-DK\"> chef beder hende om <\/span><\/span><span style=\"color: #000000;\"><span lang=\"da-DK\">at skrive en artikel i forbindelse med denne begivenhed. Gennem hendes research til artiklen l\u00e6rer hun, at svigerfamilien var indblandet p\u00e5 sin vis i Sarahs historie, i og med at de flyttede ind i lejligheden, som Sarah m\u00e5tte forlade. Julia l\u00e6rer mere og mere om hvad der sidenhen skete med Sarah og vi f\u00f8lger samtidig Sarah, som slipper fri fra flygtningelejren Drancy og flygter hen til en ikke-j\u00f8disk familie langt v\u00e6k fra Paris. Hun b\u00e6rer dog stadig n\u00f8glen til skabet om halsen og en dag begiver hun sig ind til Paris for at hente ham. Men tiden er g\u00e5et hurtigt og ikke alt er som forventet. Et andet sted i bogen finder Julia under sin research et billede af Sarah:<\/span><\/span><\/p>\n<p><em><span style=\"color: #000000;\">\u201d<span style=\"font-family: 'Liberation Serif', serif;\"><span lang=\"da-DK\">It was of a ten-year-old girl. I read the caption: JUNE 1942. Taken at the school on the rue des Blancs-Manteaux. Right next to the rue de Saintonge. The girl had slanted, light-colored eyes. They would have been blue or green, I thought. Shoulder-length pale hair with a bow in it, slightly crooked. A beautiful, shy smile. A heart-shaped face. She was sitting at her school desk, an open book in front of her. On her chest, tbe star.\u201d <\/span><\/span><\/span><\/em><\/p>\n<p><span style=\"color: #000000;\"><span lang=\"da-DK\">Efterh\u00e5nden findes der mange b\u00f8ger, som handler om 2.verdenskrig, men hvor de fleste beskriver enten historiske begivenheder eller personer, s\u00e5 er denne et mix mellem fortid og nutid som tidligere n\u00e6vnt. <\/span><\/span><span style=\"color: #000000;\"><span lang=\"da-DK\">Sproget i bogen er f\u00e6ngende og de skift, som der sker mellem de to karakterer, fungerer rent faktisk. Det er som et puslespil der bliver samlet og til sidst ramte virkeligheden om Paris under 2.verdenskrig. <\/span><\/span><span style=\"color: #000000;\"><span lang=\"da-DK\">Sarah er en opdigtet karakter, men det er opsamlingen i Paris desv\u00e6rre ikke. De Rosnay starter faktisk bogen med en note om de fiktive karakterer og hun betragter sin bog som en <\/span><\/span><span style=\"color: #000000;\"><span lang=\"da-DK\">hyldest til b\u00f8rnene, som oplevede denne begivenhed:<\/span><\/span><\/p>\n<p><em><span style=\"color: #000000;\">\u201d<\/span><span style=\"color: #000000;\"><span style=\"font-family: 'Liberation Serif', serif;\"><span lang=\"da-DK\">The children who never came back. And the ones who survived to tell.\u201d<\/span><\/span><\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sarah&#8217;s Key af Tatiana de Rosnay, 2007. St. Martin&#8217;s Griffin. Antal stjerner: 5\/5 Hvad skete der i Paris i juli 1942 og hvordan p\u00e5virker det den amerikanske journalist Julia Jarmond og hendes familie i 2002? De Rosnay har valgt i denne sk\u00f8nlitter\u00e6re at kombinere fortiden [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":494,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22,38],"tags":[61,173],"class_list":["post-493","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-historisk-roman","category-roman","tag-amerikansk","tag-st-martins-griffin"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/ordfraenbibliofil.dk\/wp-content\/uploads\/2015\/02\/img_3702-e1519250671417.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8ZnIF-7X","_links":{"self":[{"href":"https:\/\/ordfraenbibliofil.dk\/index.php?rest_route=\/wp\/v2\/posts\/493","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ordfraenbibliofil.dk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ordfraenbibliofil.dk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ordfraenbibliofil.dk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ordfraenbibliofil.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=493"}],"version-history":[{"count":1,"href":"https:\/\/ordfraenbibliofil.dk\/index.php?rest_route=\/wp\/v2\/posts\/493\/revisions"}],"predecessor-version":[{"id":7477,"href":"https:\/\/ordfraenbibliofil.dk\/index.php?rest_route=\/wp\/v2\/posts\/493\/revisions\/7477"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ordfraenbibliofil.dk\/index.php?rest_route=\/wp\/v2\/media\/494"}],"wp:attachment":[{"href":"https:\/\/ordfraenbibliofil.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=493"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ordfraenbibliofil.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=493"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ordfraenbibliofil.dk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}